I finished reading and slipped to the back of the crowd.
“I didn’t know you wrote poetry.”
We were both surprised.
I thought everyone wrote poetry.
Years ago, a friend and I floated down a river in Missouri,
love taking shape in the air between us—
“I’ve noticed you don’t speak with proper grammar,” she observed, approvingly.
“John Dryden can go fuck himself,” I replied,
“The way people speak is what is magical about language.”
I ain't worried too much about grammar—
But I spell as good as I can.
Grammar’s like color theory:
useful, sure, but not the thing itself.
It helps you tell the difference between
"I liked what she said"
and
"Her words caught me,
held me up in the light of her living."
My brother, when we were kids, would irritate our mother
Saying “I gots a new basketball,” looking her right in the eye.
I never cared much for the word myself—
But I wouldn’t have punished him for speaking his truth.
She wanted us to bear the markers
of civilized society,
But–
As Ross might have said,
I gots no time for that.
I’d be shocked
To find anyone
who never sang in place of speaking.
Writing
I. Nothing Exists
I. NOTHING EXISTS
I remember the astonishment I felt at your interest in me. I, a lowly worm, you a bird of paradise. You brought a kind of lightness with you when you came into my life, weighed down as it is by mental illness and a strange kind of consciousness. Points of light in the darkness; weekends punctuating the months with a kind of joy that is hard to find. I told you I wanted to occupy the same physical space in the universe as you.
You left something with me when things were still good. Something you knew, a simple card with the word “YES” written on the front; inside are affirmations that I am loved. I put it on the table on the top of the stairs, to remind me every night when I went up to bed. And now I wonder if I should put it away. You tell me that I’m still loved, but it’s not the kind of love that makes me a priority or makes me feel welcome in your life.
II. EVEN IF SOMETHING EXISTS, IT CANNOT BE KNOWN.
The relationship seemed to fall into place naturally for me. I felt understood. We had deep conversations that felt meaningful about politics and society and finding ourselves within the moments that passed. I felt seen. At any point of connection I could feel how you felt about me. Maybe I wasn’t as warm to you?
And I was insecure. I shrunk myself. If a text went unanswered, it meant you were annoyed with me. It meant that my text messages were a burden. A weight I was tying around your neck; a demand. I saw myself, instead of making plans together, begging for time. And I told myself it was a cruelty towards you to feel this way. My internal dialogue scolded me for looking for ways to manipulate the situation–if I ask for some time while we talk on the phone instead of by text, it will be harder to say no.
III. EVEN IF IT CAN BE KNOWN, IT CANNOT BE COMMUNICATED
I told you recently that I had a revelation of sorts; that I was afraid to want things. It’s more than that. I believe, deep down, if I voice my want for something that thing will be taken away from me and the possibility will be ended. If I want to talk to you then you will stop wanting to talk to me. And now you don’t want to talk to me. I remember how I felt the first time you canceled plans with me. And the first time you told me you weren’t ready to schedule any time with me. “You still like me though, right?” I asked. I feel so stupid for not understanding earlier.
I wonder now if you understand how I’m feeling. That I am heartbroken. Cycling. I haven’t tried to make you aware, but surely you can tell that I’ve had a realization. That I have spiraled a bit. There is a cold kind of bitter anger welling in my heart–a small puddle, but it seems important to recognize. Resentment. I want you to call me so that I can refuse to accept the call. This petty bitter anger comes for me too–I want to go live in a cave and punish myself for this failure.
IV. EVEN IF IT CAN BE COMMUNICATED, IT CANNOT BE UNDERSTOOD
This feeling is hard. It’s like I’ve been in the process of breaking up with someone for two years. The hard part, though, is that I have been fighting against myself. Arguing that this isn’t the case. “She probably has a lot going on.” I remember seeing pictures of you at the renaissance faire with other friends on your instagram. It wounded me. Why hadn’t you wanted to go with me? Something from long ago eats at me, “If she wanted to spend time with you, she would make time for you.” Why doesn’t she want to have fun with me? A picture of you with short hair pulled the distance that had grown between us into my mind–I couldn’t ignore that you had cut your hair some time ago and that I hadn’t known. It seemed like something I would have known much sooner just a year before.
At the end of the day the only firmament I had was that I believed I was important. That I warranted a consideration. But when we talked about labels and things not practically changing, it seems we meant that the status quo of the long breakup will be maintained. I had thought it meant we were safe. And I think back on all the times I have been inconsiderate and wonder, “What if…?”
And I want to be angry that you didn’t tell me. I imagine your response, “We talked about not being partners anymore.” But when we became partners we said that it wasn’t changing things. And when you dissolved the partnership, you said that it wasn’t changing things. And I’m angry that I didn’t realize at the time we were lying to ourselves. It did change things. How could it not? I felt an immediate change when you brought up the idea of being partners with me at some nice restaurant I can’t remember. I began convincing myself immediately that nothing would change when you told me on the phone that we wouldn’t be partners anymore. Of course things changed. And I want you to tell me why. And I want you to explain your reason why to my satisfaction. And I want you to justify your explanations. And I want you to convince me.
I just want to occupy the same space as you, where our minds might overlap, and then I might know things to the degree I need to know them.
Why Publish?
To be a writer
To write professionally
To make a buck
To prove that I am a writer
For recognition
For validity
For an audience
For a legacy
To teach
To castigate
To have something to take home and say, “I’m better than the person who left here.”
For competition
For dreams
For disillusionment
For posterity
Because thousands of shitty novels are published every day, and I need to prove to someone that I can write a shitty novel.
Apostasy
I went to Travis’ reading a few weeks ago. It was held on a Saturday in the Depot District at Two Sisters Bookstore. It took me a few minutes to find–I had never been there before. This despite having lived in Richmond for a decade or so, and despite having lived only seven or eight blocks from the depot district for the first half of that decade. When I went out walking I generally liked to walk along the railroad tracks heading east, under the J Street bridge, past the old mattress and the heaps of garbage and what looked like abandoned jungle camps. I imagine it’s all still there, five or so years since the last time I saw it.
During undergrad I’d walk along the tracks to a wooded area where a large patch of polk grew not far from what looked like an old factory made of red brick. When I first found the place, I had hoped mushrooms grew there, but they didn’t. In the late spring and early summer, before the plants had grown tough and woody, I’d gather the polk with a pocket knife and a grocery bag and bring it home to eat. Strip off the poisonous red skin and cut the stalks into rings to batter and fry. I’ve never eaten the leaves before-they’re poisonous, too, and you have to boil them twice–though I’m aware people do. Tastes like fried green tomatoes.
I walked through town often enough when I lived in that part of Richmond, though I rarely walked through the depot district. I liked the straight up and down lines of the number and letter streets. I never really met anyone that I hung out with for very long–I’d hang out with roommates, when I had them, but I wasn’t very social otherwise. I’ve never been very good at being part of a community. When I was an ed. major one of my instructors asked me, after I had explained I was half an hour late because I had locked my keys in the house and had had to walk from E Street, why I hadn’t simply called someone for a ride. I told her I didn’t know anybody I could ask for a ride. She didn’t believe me.
The Saturday of Travis’ reading I was tempted to message him and say I couldn’t make it. Technically, Dad was coming up to help me caulk my leaky shower, but I had informed him of the reading and we planned to be finished in time. I was anxious about being around other people. Isolation is something that people with bipolar disorder do to themselves. We avoid parties. We shut ourselves up in our houses. We play video games by ourselves all day. I want to go, though, so even though I think I’ll probably have to talk to other people I get in my car and drive toward Richmond.
It was sprinkling in the Depot District when I got there. I had to drive around for a bit to find the bookstore and more to find a place to park. I’m familiar with the parts of Richmond where the streets are laid out like a grid–numbered streets running north and south, lettered streets running east and west. The Depot District and Old Richmond are confusing. The roads are laid out like a can of worms, as Uncle Elbert had once described Cincinnati. I parked in an alley just away from the shelter of the bridge, about a block away from the store.
When I stepped through the doors I had to stop for a moment. I had never been in a bookstore before. Not like this. I had been to Barnes & Noble, Borders, Hastings, different college bookstores, but this was different. It felt like a church is supposed to feel. The woman at the counter must have noticed my hesitation–she asked me if I was there for the reading and I said yes. Just walk straight back to the room at the end. Bookshelves that stood about a foot or so shorter than me criss crossed each other on either side of the path I walked. They were stained dark, or were naturally dark, and looked old. Handmade, maybe. It was quiet, sacred, like a library, and there were a few people browsing the shelves. A family of four. A couple. A young woman. I wondered if they were there for the reading.
In the back room I noticed three things immediately: One, I was under dressed. Two, Mary Fell was there. And three, all the seats were taken. I didn’t say hi to Mary or indicate that I knew who she was. I only had one class with her a long long time ago, and I wouldn’t expect her remember me. I thought she was cool, though, and I liked her. She sat between Travis and his wife, Karen, with the same gray hair running down to her shoulders in ringlets like she had years ago. She wore slacks and a flowy blouse. Everyone was dressed nice–business casual it looked like.
Travis must have introduced me as a professor at Ivy Tech, because someone commented that I looked like a professor. My hair, as always, was unkempt–short curls sticking out at all angles. My beard had started to go wild–I was in need of a trim. I wore a pair of dark blue sweatpants long ago spattered with white and green and red paint. My olive green sweatshirt was, likewise, spattered with a bit of paint. On my feet, foam flip-flops. Travis went around the room introducing everyone, his friends, to me–I don’t remember their names. There were six or seven of them including the readers: One of Travis’ former instructors from Earlham, reading from a book of poems that she had had published, the other a woman reading from her novel that was about to be published. The author with the novel had a man with her who I assumed was her husband–or maybe he was introduced as her husband, I can’t remember. There was another couple–the man, with his salt and pepper goatee reminded me of Ian McShane. There was Karen. There was Mary Fell.
The room was small, and the seats were taken. I stood chatting a bit, terribly conscious that I was standing in the doorway. The only other place to stand was behind the podium. Travis’ former instructor must have noticed my discomfort–or maybe she just wanted to get me out of the doorway–and offered her chair to me. Thank God. I sunk into the green vinyl chair, hoping to sink out of sight, and she went out to find additional seating, bringing back a couple of folding chairs.
I took in the room. I want to say the walls were painted green, though maybe they had some kind of patterned wallpaper. There was Sherlock Holmes paraphernalia everywhere–books, a street sign that said “Baker’s St.,” statuettes and busts on the mantle above the fireplace. In front of the fireplace was one of those black music stands to serve as the podium. Sofas and chairs surrounded the coffee table in the center of the room. Eventually, someone else came to the room–she was wearing crocs, a t-shirt, and walking with a cane. The reading began shortly after she was seated.
I can’t remember a word of it, but it stirred something in me. I’m unsure what I thought about as I listened, either except: Why am I not doing this? Why am I not trying to publish? Why am I not writing? Why am I not reading? I don’t even journal anymore. I don’t have answers, either. My favorite instructor told me once, while we were discussing my writing and the difficulty I had understanding why I had escaped and my friends had languished, “Riley, you’re living the life of the mind,” but whatever else she said didn’t stay with me. Without realizing it, I had always imagined myself a part of that life. Some of the poems, as I thought about myself and I thought about them–what might have inspired them, how they were written, how much work went into them, how much the writer reveals–made me tear up.
Travis is the last speaker. We clap as he finishes and sits down in his chair between Mary Fell and me. “Pretty good,” I say to myself. I stretch and stand. “Welp, Travis, that was pretty good.” He thanks me for the compliment, and I head out through the doorway, past the shelves, and out into the depot district. I’m conscious that my immediate exit might seem odd, but I want to be alone. It’s stopped raining, though the sky is still overcast. I walk down the sidewalk, glancing at the pushed together shops–coffee, ice cream, art, consignment, glass. Down the alley, on either side of me are run down homes–apartments attached to the shops. Crossing under the bridge, I stop and look for the Blues Brothers car but I don’t see it. I find my white Impala and climb in.
On the way home, I drive past my old house on E Street. It looks the same: Bad stone work–a web pattern–on the outside. Empty cement porch. A “for rent” sign is staked into the ground by the sidewalk. The store across the street is empty again. A couple of battered cars sit in the parking lot of the Tally Ho Pub. Mrs. Black, the shut-in who lives across the alley (if she still lives) still has a yard full of garbage. I turn left at the light, driving over the J Street bridge. I look out east, tracing the four parallel lines of the railroad tracks as they curve off into the horizon. I drive home.